Intervals.
Starting
with “F” complete the interval. Give at
least two definition of each interval (example: M6, d7).
Use tunes familiar to you to help you recognize intervals.
|
up |
down |
|
1.
mp3 |
1. mp3 |
|
2.
mp3 |
2. mp3 |
|
3.
mp3 |
3. mp3 |
|
4.
mp3 |
4. mp3 |
|
5.
mp3 |
5. mp3 |
|
6.
mp3 |
6. mp3 |
|
7.
mp3 |
7. mp3 |
Cadences.
Match
cadences – authentic, half, plagal, deceptive.
There are two cadences in every level 2 progression.
|
Level 1 |
Level 2 |
|
|
|
|
1. mp3 |
1. mp3 |
|
2. mp3 |
2. mp3 |
|
3. mp3 |
3. mp3 |
|
4. mp3 |
4. mp3 |
Melodic Dictations.
In the beginning
of each dictation you will hear “A” (first octave).Listen to the it’s
resolution. According to that resolution you will know in which key a dictation
is played.
It is
your responsibility to determine the time signature.
|
Level 1 |
Level 2 |
|
|
|
|
|
|
Melodic dictation # 1 mp3 |
Melodic dictation # 1 mp3 |
|
|
Melodic dictation # 2 mp3 |
Melodic dictation # 2 mp3 |
|
|
Melodic dictation # 3 mp3 |
Melodic dictation # 3 mp3 |
|
|
Melodic dictation # 4 mp3 |
Melodic dictation # 4 mp3 |
|
|
Melodic dictation # 5 mp3 |
Melodic dictation # 5 mp3 |
|
|
Melodic dictation # 6 mp3 |
Melodic dictation # 6 mp3 |
|
|
Melodic dictation # 7 mp3 |
Melodic dictation # 7 mp3 |
|
|
Melodic dictation # 8 mp3 |
Melodic dictation # 8 mp3 |
|
Harmonic progressions.
I
. Determine the key from “A” (first octave).
2. Listen to the bass line and write it
down.
3. Label the chords according to the
chart regardless of the quality (in the chart the quality is given for Major
keys).
Follow the
circle clockwise:
I
IV
V7 ii7
V
The
circle can be started several times in the same progression. You can skip any
function in the circle except Tonic.
|
Ti |
|
|
|
V6 |
V65 |
|
La, le |
|
IV6 |
ii43 |
|
|
|
Sol |
I64 |
|
|
V |
V7 |
|
Fa |
|
IV |
ii65 |
|
V2 |
|
Mi, me |
I6 |
|
|
|
|
|
Re |
|
|
ii7 |
V64 |
V43 |
|
Do |
I |
IV64 |
ii2 |
|
|
You can skip the column(s) and you can stay in
the column.
4. Complete the chords.
5. In “four part writing” case write the
Soprano line and complete inner voices.
Double the bass in root and 64
positions. Do not double the bass in 6 position.
Keep common tones.
|
Simple version |
Four part writing |
|
|
|
|
Harmonic progression # 1 mp3 |
Harmonic progression # 1 mp3 |
|
Harmonic progression # 2 mp3 |
Harmonic progression # 2 mp3 |
|
Harmonic progression # 3 mp3 |
Harmonic progression # 3 mp3 |
|
Harmonic progression # 4 mp3 |
Harmonic progression # 4 mp3 |
|
Harmonic progression # 5 mp3 |
Harmonic progression # 5 mp3 |
|
Harmonic progression # 6 mp3 |
Harmonic progression # 6 mp3 |
Triads and their
inversions.
Starting
with F# as a bass note complete the chord. Listen if the bass note (F#) is a
root, a third, or a fifth of the chord.
|
Chord #1 mp3 |
Chord #5 mp3 |
|
Chord #2 mp3 |
Chord #6 mp3 |
|
Chord #3 mp3 |
Chord #7 mp3 |
|
Chord #4 mp3 |
Chord #8 mp3 |
Dominant 7th chord and it’s inversions.
Starting
with E as a bass note complete the chord and it’s resolution. Listen if the
bass note (E) is a root, a third, a fifth, or a seventh of the chord.
|
Simple version |
Four part writing |
|
|
|
|
Chord #1 mp3 |
Chord #1 mp3 |
|
Chord #2 mp3 |
Chord #2 mp3 |
|
Chord #3 mp3 |
Chord #3 mp3 |
|
Chord #4 mp3 |
Chord #4 mp3 |
Other types of seventh chords.
Match
the seventh chords: M7, m7, Mm7(Dom.7), half.dim.7, dim.7. Complete simple
version of the chord starting with “D” as a bass note.
|
Simple
version |
Four
part writing |
|
Chord
#1 mp3 |
Chord
#1 mp3 |
|
Chord
#2 mp3 |
Chord
#2 mp3 |
|
Chord
#3 mp3 |
Chord
#3 mp3 |
|
Chord
#4 mp3 |
Chord
#4 mp3 |
|
Chord
#5 mp3 |
Chord
#5 mp3 |